Beginning artists are likely to shy away from painting their feet and hands. Hands and feet are among the most difficult parts of the human body to depict, but that doesn’t mean they’re the only ones. There are people who will go to any lengths to avoid having their feet drawn. They may purposely omit them from a drawing or hide them beneath a thicket of weeds. Because they don’t know how to draw feet perfectly.

Drawing feet, on the other hand, is no different from drawing any other object. There’s nothing complicated about drawing the feet; all we have to do is look for the most basic shapes and forms. Finding and drawing the outlines makes drawing the contour lines much easier. You can develop the texture and shape of the feet by adding some value and tone to the drawing.

This article will show you how to draw feet the easy way. This strategy makes use of three easily drawn forms. Recognizing and assembling these three types makes the process much simpler.

How to Draw Feet Easily 

The human body is a difficult subject to grasp. It is the bone structure and muscles beneath the skin that are responsible for the subtle changes in tone that have an impact on the symbolic qualities of the drawing. Realizing the anatomical structure of the foot is certainly beneficial, but it is not required knowledge in order to draw a credible foot.

We can streamline the process if we recognize three fundamental forms. These fundamental forms can be identified on any foot, in almost any position, at any time. Drawing feet becomes much easier if we start practicing recognizing and drawing these shapes on a regular basis.

The Wedge

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The simplest form to recognize is the very first one. It’s the part of the foot in the middle where the wedge is. Although the other two forms radiate out from it, this is usually the first form drawn. The sole of the foot is shaped like a wedge, and it aids in determining the rest of the foot’s angle and direction.

The heel of this wedge is higher than the toe portion of the shoe, which slopes down toward the toes. When drawing these simple shapes, don’t worry about being too precise with your linework. Once the basic shapes are in place, we’ll work on the edges and contours.

The Toes

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The toes serve as the location for the second form. This shape joins the wedge’s tip and looks like a flattened portion of a cylinder. If you look at the toes from the front or the side, this shape might just look like a rectangle.

This shape resembles the toe of a shoe, which is entirely reasonable. Keep in mind that at this point in the drawing, all that matters are the simple shapes. Take care not to get sidetracked by the small stuff. After the forms are in place, we’ll add the information.

The Heel

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The heel of the foot is represented by the third form. This form extends from the wedge’s opposite end to the opposite end. Because of the flattened sides, it is much taller than a typical half-cylinder shape.

We can now move on to identifying the contour lines or outlines, which we will do after we have finished with the fundamental forms. In the event that we begin with the contours, we are much more likely to encounter problems with accuracy.

Any Angle Basic Forms of a Feet

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Regardless of where the foot is placed, all those three basic forms can be identified and sketched out. Even though the shapes may differ slightly based on the particular angle, they are still easily distinguishable.

Draw The Contours

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The outlines and contours of the feet are defined by these outlines and contours. Because we now know the overall shape of the foot, drawing these lines is much easier. As a result, we’ll be more aware of the minute kinks and lumps in the road.

Because of this, the toes have a good fit in the design we have created for them. A guideline for determining where to place the toes in relation to the mid-foot can be found along the wedge’s edge, where it meets the form. This line slants slightly in the majority of cases. In most people, the second toe is the most elongated. After that, the toes get shorter as they return to the wedge.

Drawing a Better Foot Form

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The development of a range of values creates the illusion of form. This step is commonly referred to as shading. We’re not just looking at the darker tones here; the lighter ones are just as important. As a result of the placement of these tones, the viewer is given the impression of seeing a light source, which provides additional information about the form.

We’ve seen two light sources in action in each of these examples. Most of the time, there are multiple light sources.) We have a strong right light source and a weaker left-side light source. As a result, the right side gets brighter highlights and the left gets darker shadows.

If we think about it, in most cases, the value of an object will be darker the further it is from the viewer; conversely, the value of an object closer to the viewer will be lighter. To put it another way, the darker areas of the foot can be seen even when looking at it from the direction of the dominant light source.

As a pencil applies graphite to the drawing, we’ll have to think about the foot’s shape. Strokes should mimic the form by flowing around the surface. Cross contour lines are similar to these directional strokes. Tonality and form are addressed simultaneously by this addition of graphite.

Creating Feet Texture

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Using a blending stump, the artist creates the foot’s texture by softening tone and value transitions. The blending stump’s directional strokes should resemble pencil strokes. The stroke should adapt to the new form.

A kneaded eraser can be used to remove lighter attributes and highlights from the surface. A convincing illusion of skin can be achieved by using a kneaded eraser and smoothing graphite applications.

Increasing The Structural Stability

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With a sharp cutting graphite pencil, we can enhance the contrast and modify the edges after dealing with the shades and texture. Only the areas with a darker value are given additional lines around the edges.

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Implied lines delineate the edge of the foot’s highlighted edges. The drawing is complete with these final few lines.

Draw Feet in a side view

Drawing the foot from the side is a simple first step in learning how to draw feet. This can be done in a variety of ways. The decomposition method into geometric bodies is used in this drawing. Circles can be made out of a foot and then linked together with a line. The following illustration illustrates how this is accomplished.

The heel, toes, and ball of the foot are represented by the three circles on the foot. Along an oblique line, the circles get smaller and smaller (drawn in green). The Achilles tendon and shinbone are marked with a few lines on the sole of the foot.

Drawing feet is as easy as following these three steps:

Step- 1

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Draw simple geometric bodies by decomposing the graphical elements.

Step- 2

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Circumnavigating circles and lines at their points of intersection.

Step- 3

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Add more details and remove unused lines.

Draw the Sole of a Feet

Let’s take a closer look at the foot’s sole, which is located on the bottom. Drawing is critical because it allows us to understand better the structure of your feet, which in turn allows us to depict them from different angles and postures.

In this case, drawn by a three-step process:

Step- 1

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Drawing the feet using simple geometric shapes like lines, ellipses, and circles.

Step- 2

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Rounding the edges of these shapes and their connecting lines.

Step- 3

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Making corrections, adding details, and erasing unnecessary lines is important to step in the finishing process.

Final Words

It’s not difficult to learn how to draw feet. Identifying the basic aspects that are present can take care of a lot of the confusion. Drawing these shapes loosely at the start of the drawing allows us to confidently concentrate on the contour lines. All that’s left is to add some value and texture after the contour lines have been drawn. Happy drawing!